MY COLDNESS TOWARDS OSCAR IN 1897

62 2 0
                                    


When I talked with Oscar in Reading Gaol, he told me that the only reason he didn't write was that no one would accept his work. I assured him that I would publish it in The Saturday Review and would pay for it not only at the rate I paid Bernard Shaw but also if it increased the sale of the journal I'd try to compute its value to the paper and give him that besides. He told me that was too liberal; he would be quite content with what I paid Shaw: he feared that no one else in England would ever publish his work again.

He promised to send me the book "De Profundis" as soon as it was finished. Just before his release his friend, Mr. More Adey, called upon me and wanted to know whether I would publish Oscar's work. I said I would. He then asked me what I would give for it. I told him I didn't want to make anything out of Oscar and would give him as much as I could, rehearsing the proposal I had made to Oscar. Thereupon he told me Oscar would prefer a fixed price. I thought the answer extraordinary and the gentle, urbane manner of Mr. More Adey, whom I hardly knew at that time and misunderstood, got on my nerves. I replied curtly that before I could state a price, I'd have to see the work, adding at the same time that I had wished to do Oscar a good turn, but, if he could find another publisher, I'd be delighted. Mr. More Adey assured me that there was nothing in the book to which any prude even could object, no arrière pensée of any kind, and so forth and so on. I answered with a jest, a wretched play on his French phrase.

That night I happened to dine with Whistler and telling him of what had occurred called forth a most stinging gibe at Oscar's expense. Whistler's mot cannot be published.

A week or two later Oscar asked me to get him some clothes, which I did and on his release sent them to him, and received in reply a letter thanking me which I reproduce on page 583.

In that same talk with Oscar in Reading Gaol, I was so desirous of helping him that I proposed a driving tour through France. I told him of one I had made a couple of years before which was full of delightful episodes — an entrancing holiday. He jumped at the idea, said nothing would please him better, he would feel safe with me, and so forth. In order to carry out the idea in the best way I ordered an American mail phaeton so that a pair of horses would find the load, even with luggage, ridiculously light. I asked Mr. More Adey whether Oscar had spoken to him of this proposed trip: he told me he had heard nothing of it.

In one letter to me Oscar asked me to postpone the tour; afterwards he never mentioned it. I thought I had been treated rather cavalierly. As I had gone to some expense in getting everything ready and making myself free, I, no doubt, expressed some amazement at Oscar's silence on the matter. At any rate the idea got about that I was angry with him, and Oscar believed it. Nothing could have been further from the truth. What I had done and proposed was simply in his interest: I expected no benefit of any kind and therefore could not be cross; but the belief that I was angry drew this sincere and touching letter from Oscar, which I think shows him almost as perfectly as that still more beautiful letter to Robert Ross which I have inserted in Chapter XIX.

From M. Sebastian Melmoth, Hotel de la Plage, Bernavol-sur-Mer, Dieppe.

June 13, '97

MY DEAR FRANK:

I know you do not like writing letters, but still I think you might have written me a line in answer, or acknowledgment of my letter to you from Dieppe. I am thinking of a story to be called "The Silence of Frank Harris."

I have, however, heard during the last few days that you do not speak of me in the friendly manner I would like. This distresses me very much.

I am told that you are hurt with me because my letter of thanks to you was not sufficiently elaborated in expression. This I can hardly credit. It seems so unworthy of a big strong nature like yours, that knows the realities of life. I told you I was grateful to you for your kindness to me. Words, now, to me signify things, actualities, real emotions, realised thoughts. I learnt in prison to be grateful. I used to think gratitude a burden. Now I know that it is something that makes life lighter as well as lovelier for one. I am grateful for a thousand things, from my good friends down to the sun and the sea. But I cannot say more than that I am grateful. I cannot make phrases about it. For me to use such a word shows an enormous development in my nature. Two years ago I did not know the feeling the word denotes. Now I know it, and I am thankful that I have learnt that much, at any rate, by having been in prison. But I must say again that I no longer make roulades of phrases about the deep things I feel. When I write directly to you, I speak directly: violin variations don't interest me. I am grateful to you. If that does not content you, then you do not understand, what you of all men should understand, how sincerity of feeling expresses itself. But I dare say the story told of you is untrue. It comes from so many quarters that it probably is.

OSCAR WILDE - HIS LIFE AND CONFESSIONS BY FRANK HARRIS (Completed)Where stories live. Discover now