Chapter 16: The Tribulations of a Chinese

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In the evening of that same Saturday, Quiroga, the Chinese, who aspired to the creation of a consulate for his nation, gave a dinner in the rooms over his bazaar, located in the Escolta. His feast was well attended: friars, government employees, soldiers, merchants, all of them his customers, partners or patrons, were to be seen there, for his store supplied the curates and the conventos with all their necessities, he accepted the chits of all the employees, and he had servants who were discreet, prompt, and complaisant. The friars themselves did not disdain to pass whole hours in his store, sometimes in view of the public, sometimes in the chambers with agreeable company.

That night, then, the sala presented a curious aspect, being filled with friars and clerks seated on Vienna chairs, stools of black wood, and marble benches of Cantonese origin, before little square tables, playing cards or conversing among themselves, under the brilliant glare of the gilt chandeliers or the subdued light of the Chinese lanterns, which were brilliantly decorated with long silken tassels. On the walls there was a lamentable medley of landscapes in dim and gaudy colors, painted in Canton or Hongkong, mingled with tawdry chromos of odalisks, half-nude women, effeminate lithographs of Christ, the deaths of the just and of the sinners—made by Jewish houses in Germany to be sold in the Catholic countries. Nor were there lacking the Chinese prints on red paper representing a man seated, of venerable aspect, with a calm, smiling face, behind whom stood a servant, ugly, horrible, diabolical, threatening, armed with a lance having a wide, [149]keen blade. Among the Indians some call this figure Mohammed, others Santiago, we do not know why, nor do the Chinese themselves give a very clear explanation of this popular pair. The pop of champagne corks, the rattle of glasses, laughter, cigar smoke, and that odor peculiar to a Chinese habitation—a mixture of punk, opium, and dried fruits—completed the collection.

Dressed as a Chinese mandarin in a blue-tasseled cap, Quiroga moved from room to room, stiff and straight, but casting watchful glances here and there as though to assure himself that nothing was being stolen. Yet in spite of this natural distrust, he exchanged handshakes with each guest, greeted some with a smile sagacious and humble, others with a patronizing air, and still others with a certain shrewd look that seemed to say, "I know! You didn't come on my account, you came for the dinner!"

And Quiroga was right! That fat gentleman who is now praising him and speaking of the advisability of a Chinese consulate in Manila, intimating that to manage it there could be no one but Quiroga, is the Señor Gonzalez who hides behind the pseudonym Pitilí when he attacks Chinese immigration through the columns of the newspapers. That other, an elderly man who closely examines the lamps, pictures, and other furnishings with grimaces and ejaculations of disdain, is Don Timoteo Pelaez, Juanito's father, a merchant who inveighs against the Chinese competition that is ruining his business. The one over there, that thin, brown individual with a sharp look and a pale smile, is the celebrated originator of the dispute over Mexican pesos, which so troubled one of Quiroga's protéges: that government clerk is regarded in Manila as very clever. That one farther on, he of the frowning look and unkempt mustache, is a government official who passes for a most meritorious fellow because he has the courage to speak ill of the business in lottery tickets carried on between Quiroga [150]and an exalted dame in Manila society. The fact is that two thirds of the tickets go to China and the few that are left in Manila are sold at a premium of a half-real. The honorable gentleman entertains the conviction that some day he will draw the first prize, and is in a rage at finding himself confronted with such tricks.

The dinner, meanwhile, was drawing to an end. From the dining-room floated into the sala snatches of toasts, interruptions, bursts and ripples of laughter. The name of Quiroga was often heard mingled with the words "consul," "equality," "justice." The amphitryon himself did not eat European dishes, so he contented himself with drinking a glass of wine with his guests from time to time, promising to dine with those who were not seated at the first table.

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