According to Stephen Friar's New Dictionary of Heraldry, a griffin's claw was believed to have medicinalproperties and one of its feathers could restore sight to the blind. Goblets fashioned from griffin claws (actually antelope horns) and griffin eggs (actually ostrich eggs) were highly prized in medieval European courts.

When it emerged as a major seafaring power in the Middle Ages and Renaissance, griffins commenced to be depicted as part of the Republic of Genoa's coat of arms, rearing at the sides of the shield bearing the Cross of St. George.

By the 12th century the appearance of the griffin was substantially fixed: "All its bodily members are like a lion's, but its wings and mask are like an eagle's." It is not yet clear if its forelimbs are those of an eagle or of a lion. Although the description implies the latter, the accompanying illustration is ambiguous. It was left to the heralds to clarify that.


Heraldic significance



In heraldry, the griffin's amalgamation of lion and eagle gains in courage and boldness, and it is always drawn to powerful fierce monsters. It is used to denote strength and military courage and leadership. Griffins are portrayed with rear body of a lion, an eagle's head, with erect ears, and feathered breast, with forelegs of an eagle, including claws. The combination indicates a combination of intelligence and strength.

In British heraldry, a male griffin is shown without wings, its body covered in tufts of formidable spikes, with a short tusk emerging from the forehead, as for a unicorn. The female griffin with wings is more commonly used.


In architecture

In architectural decoration the griffin is usually represented as a four-footed beast with wings and the head of an eagle with horns, or with the head and beak of an eagle.

The statues that mark the entrance to the City of London are sometimes mistaken for griffins, but are in fact (Tudor) dragons, the supporters of the city's arms. They are most easily distinguished from griffins by their membranous, rather than feathered, wings.


In literature


As to the gold which the griffins dig up, there are rocks which are spotted with drops of gold as with sparks, which this creature can quarry because of the strength of its beak. “For these animals do exist in India” he said, “and are held in veneration as being sacred to the Sun ; and the Indian artists, when they represent the Sun, yoke four of them abreast to draw the images ; and in size and strength they resemble lions, but having this advantage over them that they have wings, they will attack them, and they get the better of elephants and of dragons. But they have no great power of flying, not more than have birds of short flight; for they are not winged as is proper with birds, but the palms of their feet are webbed with red membranes, such that they are able to revolve them, and make a flight and fight in the air; and the tiger alone is beyond their powers of attack, because in swiftness it rivals the winds.

And the griffins of the Indians and the ants of the Ethiopians, though they are dissimilar in form, yet, from what we hear, play similar parts; for in each country they are, according to the tales of poets, the guardians of gold, and devoted to the gold reefs of the two countries.

Griffins are used widely in Persian poetry; Rumi is one such poet who writes in reference to griffins.

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