It was not with surprise, it was with a feeling which in other circumstances would have had much of the effect of joy, that as Isabel descended from the Paris Mail at Charing Cross she stepped into the arms, as it were—or at any rate into the hands—of Henrietta Stackpole. She had telegraphed to her friend from Turin, and though she had not definitely said to herself that Henrietta would meet her, she had felt her telegram would produce some helpful result. On her long journey from Rome her mind had been given up to vagueness; she was unable to question the future. She performed this journey with sightless eyes and took little pleasure in the countries she traversed, decked out though they were in the richest freshness of spring. Her thoughts followed their course through other countries—strange-looking, dimly-lighted, pathless lands, in which there was no change of seasons, but only, as it seemed, a perpetual dreariness of winter. She had plenty to think about; but it was neither reflexion nor conscious purpose that filled her mind. Disconnected visions passed through it, and sudden dull gleams of memory, of expectation. The past and the future came and went at their will, but she saw them only in fitful images, which rose and fell by a logic of their own. It was extraordinary the things she remembered. Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whist with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness. She remembered a thousand trifles; they started to life with the spontaneity of a shiver. She had thought them trifles at the time; now she saw that they had been weighted with lead. Yet even now they were trifles after all, for of what use was it to her to understand them? Nothing seemed of use to her to-day. All purpose, all intention, was suspended; all desire too save the single desire to reach her much-embracing refuge. Gardencourt had been her starting-point, and to those muffled chambers it was at least a temporary solution to return. She had gone forth in her strength; she would come back in her weakness, and if the place had been a rest to her before, it would be a sanctuary now. She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more—this idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land.
She had moments indeed in her journey from Rome which were almost as good as being dead. She sat in her corner, so motionless, so passive, simply with the sense of being carried, so detached from hope and regret, that she recalled to herself one of those Etruscan figures couched upon the receptacle of their ashes. There was nothing to regret now—that was all over. Not only the time of her folly, but the time of her repentance was far. The only thing to regret was that Madame Merle had been so—well, so unimaginable. Just here her intelligence dropped, from literal inability to say what it was that Madame Merle had been. Whatever it was it was for Madame Merle herself to regret it; and doubtless she would do so in America, where she had announced she was going. It concerned Isabel no more; she only had an impression that she should never again see Madame Merle. This impression carried her into the future, of which from time to time she had a mutilated glimpse. She saw herself, in the distant years, still in the attitude of a woman who had her life to live, and these intimations contradicted the spirit of the present hour. It might be desirable to get quite away, really away, further away than little grey-green England, but this privilege was evidently to be denied her. Deep in her soul—deeper than any appetite for renunciation—was the sense that life would be her business for a long time to come. And at moments there was something inspiring, almost enlivening, in the conviction. It was a proof of strength—it was a proof she should some day be happy again. It couldn't be she was to live only to suffer; she was still young, after all, and a great many things might happen to her yet. To live only to suffer—only to feel the injury of life repeated and enlarged—it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer? It involved then perhaps an admission that one had a certain grossness; but Isabel recognised, as it passed before her eyes, the quick vague shadow of a long future. She should never escape; she should last to the end. Then the middle years wrapped her about again and the grey curtain of her indifference closed her in.
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THE PORTRAIT OF A LADY (Completed)Classics
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of...