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THE QUEST OF THE SILVER FLEECE ***
Produced by Suzanne Shell, Martin Pettit and the PG Online Distributed Proofreading Team at http://www.pgdp.net. THE QUEST OF THE SILVER FLEECE _A Novel_ W.E.B. DU BOIS 1911 A.C. McClurg & Co. _Contents_ THE QUEST OF THE SILVER FLEECE _Note from the Author_ 3 _One_: DREAMS 5 _Two_: THE SCHOOL 12 _Three_: MISS MARY TAYLOR 16 _Four_: TOWN 23 _Five_: ZORA 33 _Six_: COTTON 42 _Seven_: THE PLACE OF DREAMS 53 _Eight_: MR. HARRY CRESSWELL 66 _Nine_: THE PLANTING 74 _Ten_: MR. TAYLOR CALLS 84 _Eleven_: THE FLOWERING OF THE FLEECE 99 _Twelve_: THE PROMISE 108 _Thirteen_: MRS. GREY GIVES A DINNER 122 _Fourteen_: LOVE 128 _Fifteen_: REVELATION 134 _Sixteen_: THE GREAT REFUSAL 146 _Seventeen_: THE RAPE OF THE FLEECE 154 _Eighteen_: THE COTTON CORNER 162 _Nineteen_: THE DYING OF ELSPETH 171 _Twenty_: THE WEAVING OF THE SILVER FLEECE 182 _Twenty-one_: THE MARRIAGE MORNING 191 _Twenty-two_: MISS CAROLINE WYNN 199 _Twenty-three_: THE TRAINING OF ZORA 210 _Twenty-four_: THE EDUCATION OF ALWYN 218 _Twenty-five_: THE CAMPAIGN 230 _Twenty-six_: CONGRESSMAN CRESSWELL 244 _Twenty-seven_: THE VISION OF ZORA 254 _Twenty-eight_: THE ANNUNCIATION 263 _Twenty-nine_: A MASTER OF FATE 271 _Thirty_: THE RETURN OF ZORA 283 _Thirty-one_: A PARTING OF WAYS 293 _Thirty-two_: ZORA'S WAY 309 _Thirty-three_: THE BUYING OF THE SWAMP 316 _Thirty-four_: THE RETURN OF ALWYN 328 _Thirty-five_: THE COTTON MILL 339 _Thirty-six_: THE LAND 350 _Thirty-seven_: THE MOB 364 _Thirty-eight_: ATONEMENT 371 THE QUEST OF THE SILVER FLEECE TO ONE whose name may not be written but to whose tireless faith the shaping of these cruder thoughts to forms more fitly perfect is doubtless due, this finished work is herewith dedicated _Note_ He who would tell a tale must look toward three ideals: to tell it well, to tell it beautifully, and to tell the truth. The first is the Gift of God, the second is the Vision of Genius, but the third is the Reward of Honesty. In _The Quest of the Silver Fleece_ there is little, I ween, divine or ingenious; but, at least, I have been honest. In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the story-teller, now to the artist, but never to the herald of the Truth. NEW YORK CITY _August 15, 1911_ THE AUTHOR _One_ DREAMS Night fell. The red waters of the swamp grew sinister and sullen. The tall pines lost their slimness and stood in wide blurred blotches all across the way, and a great shadowy bird arose, wheeled and melted, murmuring, into the black-green sky. The boy wearily dropped his heavy bundle and stood still, listening as the voice of crickets split the shadows and made the silence audible. A tear wandered down his brown cheek. They were at supper now, he whispered--the father and old mother, away back yonder beyond the night. They were far away; they would never be as near as once they had been, for he had stepped into the world. And the cat and Old Billy--ah, but the world was a lonely thing, so wide and tall and empty! And so bare, so bitter bare! Somehow he had never dreamed of the world as lonely before; he had fared forth to beckoning hands and luring, and to the eager hum of human voices, as of some great, swelling music. Yet now he was alone; the empty night was closing all about him here in a strange land, and he was afraid. The bundle with his earthly treasure had hung heavy and heavier on his shoulder; his little horde of money was tightly wadded in his sock, and the school lay hidden somewhere far away in the shadows. He wondered how far it was; he looked and harkened, starting at his own heartbeats, and fearing more and more the long dark fingers of the night. Then of a sudden up from the darkness came music. It was human music, but of a wildness and a weirdness that startled the boy as it fluttered and danced across the dull red waters of the swamp. He hesitated, then impelled by some strange power, left the highway and slipped into the forest of the swamp, shrinking, yet following the song hungrily and half forgetting his fear. A harsher, shriller note struck in as of many and ruder voices; but above it flew the first sweet music, birdlike, abandoned, and the boy crept closer. The cabin crouched ragged and black at the edge of black waters. An old chimney leaned drunkenly against it, raging
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