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4
THE TEMPLAR LEGACY
Steve Berry ________________________________________ Jesus said, "Know what is within your sight, and what is hidden from you will become clear. For there is nothing hidden that will not be revealed." -THE GOSPEL OF THOMAS "It has served us well, this myth of Christ." -POPELEOX ________________________________________ ________________________________________ TABLE OF CONTENTS Title Page Dedication Epigraph Acknowledgments Maps PROLOGUE PART ONE CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN CHAPTER EIGHT CHAPTER NINE CHAPTER TEN CHAPTER ELEVEN CHAPTER TWELVE CHAPTER THIRTEEN CHAPTER FOURTEEN PART TWO CHAPTER FIFTEEN CHAPTER SIXTEEN CHAPTER SEVENTEEN CHAPTER EIGHTEEN CHAPTER NINETEEN CHAPTER TWENTY CHAPTER TWENTY-ONE CHAPTER TWENTY-TWO CHAPTER TWENTY-THREE CHAPTER TWENTY-FOUR CHAPTER TWENTY-FIVE CHAPTER TWENTY-SIX CHAPTER TWENTY-SEVEN CHAPTER TWENTY-EIGHT CHAPTER TWENTY-NINE CHAPTER THIRTY PART THREE CHAPTER THIRTY-ONE CHAPTER THIRTY-TWO CHAPTER THIRTY-THREE CHAPTER THIRTY-FOUR CHAPTER THIRTY-FIVE CHAPTER THIRTY-SIX CHAPTER THIRTY-SEVEN CHAPTER THIRTY-EIGHT CHAPTER THIRTY-NINE CHAPTER FORTY CHAPTER FORTY-ONE CHAPTER FORTY-TWO CHAPTER FORTY-THREE CHAPTER FORTY-FOUR PART FOUR CHAPTER FORTY-FIVE CHAPTER FORTY-SIX CHAPTER FORTY-SEVEN CHAPTER FORTY-EIGHT CHAPTER FORTY-NINE CHAPTER FIFTY CHAPTER FIFTY-ONE CHAPTER FIFTY-TWO CHAPTER FIFTY-THREE CHAPTER FIFTY-FOUR CHAPTER FIFTY-FIVE CHAPTER FIFTY-SIX PART FIVE CHAPTER FIFTY-SEVEN CHAPTER FIFTY-EIGHT CHAPTER FIFTY-NINE CHAPTER SIXTY CHAPTER SIXTY-ONE CHAPTER SIXTY-TWO CHAPTER SIXTY-THREE CHAPTER SIXTY-FOUR CHAPTER SIXTY-FIVE CHAPTER SIXTY-SIX CHAPTER SIXTY-SEVEN Writer's Note About the Author Also by Steve Berry Copyright Page ________________________________________ I've been lucky. The same team that produced my first novel, The Amber Room, in 2003 has stayed together. Few writers can claim that luxury. So, again, lots of thanks to each is in order. First, Pam Ahearn, my agent, who believed from the start. Next, to the wonderful folks at Random House: Gina Centrello, an extraordinary publisher; Mark Tavani, an editor far wiser than his years (and a great friend too); Ingrid Powell, who can always be counted on; Cindy Murray, who goes to great lengths to make me look good in the press (which is a task in and of itself); Kim Hovey who markets with the skill and precision of a surgeon; Beck Stvan, the talented artist responsible for the gorgeous cover; Laura Jorstad, an eagle-eyed copy editor who keeps me straight; Crystal Velasquez, the production editor who daily steers production on a true course; Carole Lowenstein, who once again made the pages shine; and finally to all those in Promotions and Sales-absolutely nothing could be achieved without their superior efforts. A special thanks to one of the "girls," Daiva Woodworth, who gave Cotton Malone his name. But I can't forget my two "other girls," Nancy Pridgen and Fran Downing. The inspiration from all three remains with me everyday. On a personal note. My daughter Elizabeth (who's growing up so fast) brought daily joy to the incredible trials and tribulations that occurred during the production of this book. She is truly a treasure. This book is for her. Always. ________________________________________ ALSO BY STEVE BERRY The Amber Room The Romanov Prophecy The Third Secret ________________________________________ While sitting at a café in Højbro Plads, I decided that my protagonist had to live in Copenhagen. It is truly one of the world's great cities. So Cotton Malone, bookseller, became a new addition to that busy square. I also spent time in southern France discovering much of the history and many of the locales that ended up in this story. Most of the plot came to me while traveling, which is understandable, given the inspiring qualities of Denmark, Rennes-le-Château, and the Languedoc. But it's time to know where the line was drawn between fact and fiction. The crucifixion of Jacques de Molay, as depicted in the prologue, and the possibility of his image being that on the Shroud of Turin (chapter 46) are the conclusions of Christopher Knight and Robert Lomas. I was intrigued when I discovered the idea in their work, The Second Messiah, so I wove their innovative concept into the story. Much of what Knight and Lomas say-as related by Mark Nelle in chapter 46-makes sense and is likewise consistent with all of the scientific dating evidence amassed from the shroud over the past twenty years.
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